I’m fascinated with Sacred Geometry.
I’ve been studying Sacred Geometry and Architecture for the past 25 years. My favorite place is Chartres Cathedral outside of Paris. In 1992, I was fortunate to attend a conference in Santa Fe with Keith Critchlow. titled “Arts and The Sacred”. Then again in 1994 in Crestone, Colorado. I’ve been collecting the late David Yarbrough Sacred Geometry Art for years.
The architecture of the buildings we inhabit as our dwellings, our work places, our healing and education centers, and our churches and temples, has similar impact on our senses as the architecture of nature. Apart from any psychological influences, it is mainly the geometric spaces and the materials of the structures that influence our responses. Our sense of proportion tells us when a space or object is harmonious, and our mood responds accordingly. In much the same way we identify sounds as being pleasing or otherwise according to their wave frequencies and the proportional relationships between combinations of different notes. It is our spatial awareness that connects us or repels us with items that we normally perceive to be remote and external to us. It is a biological relationship that occurs at the cellular level between the myriad components of our physicality.
Sacred Geometry is the art of incorporating nature into modern architecture.
Everywhere you look on this planet, you will find that nature is based on two fundamental patterns: The Flower Of Life and the Fibonacci Sequence.
Using these patterns in your architecture, you can design incredible buildings that feel right, have great energy – and most people agree – look spectacular:
